Ghosts of Girlfriends Past (2009)

Rated : PG-13 for sexual content throughout, some language and a drug reference
Genre: Comedies
Theatrical Release:May 1, 2009 Wide
Review :
Hmmm. What would happen if we took the premise of A Christmas Carol, applied it to a romantic comedy, and cast Matthew McConaughey in the Scrooge role?

Here it is, for your consideration, folks: The Ghosts of Girlfriends Past.
It’s pretty much exactly what you’d expect from a McConaughey rom-com, although during the moments that I was conscious, I don’t believe I actually saw him without a shirt. The saddest part of all is that Jennifer Garner — who is charming, despite being a less than mediocre actress — will play his love interest. Really, Jennifer? A McConaughey film? You’re better than that, lady. This is most certainly not how you return from your baby-making hiatus. Violet is going to be so disappointed in you one day.

Synopsis:
Celebrity photographer Connor Mead (MATTHEW McCONAUGHEY) loves freedom, fun and women...in that order. A committed bachelor with a no-strings policy, he thinks nothing of breaking up with multiple... Celebrity photographer Connor Mead (MATTHEW McCONAUGHEY) loves freedom, fun and women...in that order. A committed bachelor with a no-strings policy, he thinks nothing of breaking up with multiple women on a conference call while prepping his next date.
Connor's brother Paul is more the romantic type. In fact, he's about to be married. Unfortunately, on the eve of the big event, Connor's mockery of romance proves a real buzz-kill for Paul, the wedding party and a houseful of well wishers -- including Connor's childhood friend Jenny (JENNIFER GARNER), the one woman in his life who has always seemed immune to his considerable charm.
Just when it looks like Connor may single-handedly ruin the wedding, he gets a wake-up call from the ghost of his late Uncle Wayne (MICHAEL DOUGLAS), the hard-partying, legendary ladies man upon whose exploits Connor has modeled his lifestyle. Uncle Wayne has an urgent message for his protege, which he delivers through the ghosts of Connor's jilted girlfriends -- past, present and future -- who take him on a revealing and hilarious odyssey through a lifetime of failed relationships.
Together, they will discover what turned Connor into such a shameless player and whether he has a second chance to find -- and this time, keep -- the love of his life.
New Line Cinema presents a Jon Shestack/Panther Production of a Mark Waters Film: Matthew McConaughey and Jennifer Garner in the romantic comedy Ghosts of Girlfriends Past. The film also stars Breckin Meyer, Lacey Chabert, Robert Forster, Anne Archer, Emma Stone and Michael Douglas.
Ghosts of Girlfriends Past is directed by Mark Waters from a script by Jon Lucas & Scott Moore, and produced by Jon Shestack and Brad Epstein. Executive producers are Marcus Viscidi, Mark Waters, Jessica Tuchinsky, Toby Emmerich, Cale Boyter and Samuel J. Brown, with Ginny Brewer as co-producer. The creative team includes director of photography Daryn Okada, production designer Cary White, editor Bruce Green and costume designer Denise Wingate. Music is by Rolfe Kent. Executive music producer is Ralph Sall.
Ghosts of Girlfriends Past will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. --© Warner Bros

Starring: Matthew McConaughey, Jennifer Garner, Lacey Chabert, Michael Douglas, Emma Stone, Anne Archer, Robert Forster, Breckin Meyer, Amanda Walsh
Director: Mark Waters
Screenwriter: Scott Moore, John Lucas
Producer: Jon Shestack, Brad Epstein
Composer: Rolfe Kent
Studio: New Line Cinema

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He's Just Not That Into You (2009)

Rated: PG-13 for sexual content and brief strong language.
Runtime: 2 hrs 9 mins
Genre: Comedies
Theatrical Release:Feb 6, 2009 Wide
Box Office: $93,409,454
Review :
The good Dr. Freud once asked, what do women want? To judge by the recent crop of what are often sneeringly referred to as chick flicks, today’s woman wants designer threads

, extravagant weddings and a generous helping of public humiliation served up with laughs, most at her expense.Where have you gone, Thelma and Louise? Oh, right: those gun-toting runaway heroines played by Geena Davis and Susan Sarandon, who wore old blue jeans and confidently put the moves on the men in their lives in Ridley Scott’s 1991 outlaw female fantasy, drove off the cliff at their big finish. You have been missed, ladies.
I bring up Mr. Scott’s film because whenever faced with another puerile movie ostensibly about women, I play a little game called What Would Thelma and Louise Do? Consider, for instance, the scene from “He’s Just Not That Into You” in which the perennially disappointed Gigi (Ginnifer Goodwin) says goodnight to her first-time, last-time date, a real estate agent, Conor (Kevin Connolly). As she clings to his every diffident word, her wide eyes shining and smile as fixed as that of the Joker, Gigi comes across less like the bubbly young thing she’s meant to be and pretty much like a crazy person. She walks off and immediately calls a friend to say that the date went well. A few yards away, Conor rings another woman.


What would Thelma have done? Well, she might have bedded Conor with gusto (and no marriage plans), as she does a hitchhiker with miles of muscle played by the young Brad Pitt. (Her greatest lament: he rips her off.) And Louise? Given that her lover is played by the gruff and grown-up Michael Madsen, I like to think she wouldn’t even have bothered with Conor. (That, or shot him.) Adult women like Louise might pull a Mrs. Robinson on special occasions, though not if there’s a man like Mr. Madsen steaming up the room. But adults have become something of an endangered species in big studio movies, particularly in romantic comedies, where female desire now largely seems reserved for shoes, wedding bells and babies.
These days Hollywood is taking its storybook cues from that old children’s ditty:
Mary and Johnny sitting in a tree
K-I-S-S-I-N-G
First comes love, then comes marriage
Then comes Mary with a baby carriage
Such is more or less the reductive case in “He’s Just Not That Into You,” which is based on an obnoxious so-called advice book by Greg Behrendt and Liz Tuccillo, which in turn took its inspiration from the HBO series “Sex and the City.” The book’s title refers to an episode in which Carrie’s man du jour, Berger, bluntly puts Miranda straight about a guy she’s dating. Miranda thinks she’s receiving mixed messages, but men are just not that complicated, Berger says. The guy simply isn’t interested.
The movie “He’s Just Not That Into You,” directed by Ken Kwapis and written by Abby Kohn and Marc Silverstein, takes this bit from a 30-minute show and turns it into an overextended 2 hours and 12 minutes. Mostly it does this by turning Gigi simultaneously into a joke (by playing her desperation for laughs) and a victim (by playing her desperation for tears). It’s a grotesque representation of female desire, one that the appealing Ms. Goodwin can’t save from caricature. It says something about the romantic comedies coming out of Hollywood that the character Ms. Goodwin plays on the HBO series “Big Love,” the youngest wife in a polygamous Mormon marriage, is treated with far more dignity than Gigi.
Despite this, there are a few nice moments, most courtesy of Jennifer Connelly, as the wife, and Scarlett Johansson, as the mistress, of an understandably gaga lawyer, Ben (Bradley Cooper), who doesn’t deserve either of them. Usually tightly wound even when she’s meant to be falling apart, Ms. Connelly cuts loose and goes (relatively) dark with her character, Janine. When she learns of her husband’s infidelity, you can see the storm — the shock, the hurt, the confusion — gathering in her face. Even better, you have no idea if Janine will break into pieces. Life has knocked her sideways, and Ms. Connolly keeps the character there for a while, inserting a bit of the unknown into the otherwise predictable proceedings.
Ms. Johansson’s Anna is, of course, the designated bad girl — she’s also the woman Conor dials after his date with Gigi — but the role doesn’t stick. Ms. Johansson seems too comfortable in her own beautiful skin to pay attention to wagging fingers, particularly when they belong to a twerp like Conor, who delivers a late sermon about her commitment issues. One problem with the movie is that, aside from Ben Affleck, who plays Jennifer Aniston’s marriage-phobic boyfriend, the actors are seriously outmatched by the actresses. Justin Long, the guy from the Macintosh ads, and Ms. Goodwin are a questionable-enough match. But Ms. Johansson and Mr. Connolly, the second guy on the left in the HBO series “Entourage,” make no sense. She’s Scarlett Johansson, for goodness’ sake!
It’s worth noting that in a movie ostensibly dedicated to the relationship worries of the modern (straight) woman, Anna is also the only one in the distaff batch with an active, seemingly pleasurable sex life. Most of the other women are too busy trying to land men, trying to hold on to men or ruining their relationships with men to actually have sex. (Drew Barrymore, meanwhile, pops up a few times, often surrounded by wisecracking gay men.) Imagine an action flick in which the hero spends the entire movie chasing the villain without the compensatory satisfaction of smashing his enemy to smithereens. There’s a reason action producers like Jerry Bruckheimer blow stuff up in their movies: They know what men want.

Synopsis:
Based on the wildly popular bestseller from Sex and the City scribes Greg Behrendt and Liz Tuccillo, He's Just Not That Into You tells the stories of a group of interconnected, Baltimore-based... Based on the wildly popular bestseller from Sex and the City scribes Greg Behrendt and Liz Tuccillo, He's Just Not That Into You tells the stories of a group of interconnected, Baltimore-based twenty- and thirtysomethings as they navigate their various relationships from the shallow end of the dating pool through the deep, murky waters of married life, trying to read the signs of the opposite sex... and hoping to be the exceptions to the "no-exceptions" rule.
Gigi just wants a man who says he'll call--and does--while Alex advises her to stop sitting by the phone. Beth wonders if she should call it off after years of committed singlehood with her boyfriend, Neil, but he doesn't think there's a single thing wrong with their unmarried life. Janine's not sure if she can trust her husband, Ben, who can't quite trust himself around Anna. Anna can't decide between the sexy married guy, or her straightforward, no-sparks standby, Conor, who can't get over the fact that he can't have her. And Mary, who's found an entire network of loving, supportive men, just needs to find one who's straight.
If you've ever sat by the phone wondering why he said he would call, but didn't, or if you can't figure out why she doesn't want to sleep with you anymore, or why your relationship just isn't going to the next level... he (or she) is just not that into you.
The film boasts an all-star cast, including Academy Award® winner Ben Affleck (Good Will Hunting, Hollywoodland) as Neil; Jennifer Aniston (Marley & Me) as Beth; Drew Barrymore (Music and Lyrics) as Mary; Academy Award® winner Jennifer Connelly (A Beautiful Mind, The Day the Earth Stood Still) as Janine; Kevin Connolly (HBO's Entourage) as Conor; Bradley Cooper (Yes Man) as Ben; Ginnifer Goodwin (Walk the Line, HBO's Big Love) as Gigi; Scarlett Johansson (Vicky Cristina Barcelona) as Anna; Kris Kristofferson (Dreamer: Inspired by a True Story) as Ken; and Justin Long (Live Free or Die Hard) as Alex.

A New Line Cinema Presentation, a Flower Films Production, He's Just Not That Into You is directed by Ken Kwapis (Sisterhood of the Traveling Pants, NBC's The Office) from a screenplay by Abby Kohn & Marc Silverstein (Never Been Kissed), based on the book by Greg Behrendt and Liz Tuccillo. Nancy Juvonen produced the film, with Drew Barrymore, Toby Emmerich, Michele Weiss and Michael Beugg serving as executive producers and Michael Disco and Gwenn Stroman co-producing.
The behind-the-scenes creative team is led by director of photography John Bailey (Must Love Dogs), production designer Gae Buckley (The Sisterhood of the Traveling Pants 2), editor Cara Silverman (Keith), costume designer Shay Cunliffe (The Bourne Ultimatum), composer Cliff Eidelman (The Sisterhood of the Traveling Pants), and Grammy Award-winning music supervisor Danny Bramson (Mission: Impossible III, Almost Famous).
He's Just Not That Into You will be distributed domestically by Warner Bros. Pictures, a Warner Bros. Entertainment Company. --© Warner Bros

Starring: Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson, Justin Long, Kris Kristofferson
Director: Ken Kwapis
Screenwriter: Abby Kohn, Marc Silverstein
Producer: Nancy Juvonen
Composer: Cliff Eidelman
Studio: New Line Cinema

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Confessions of a Shopaholic (2009)

Rated: PG for some mild language and thematic elements.
Runtime: 1 hr 45 mins
Genre: Comedies
Theatrical Release:Feb 13, 2009 Wide
Box Office: $43,879,066
Review :
After enduring both Bride Wars and He’s Just Not That Into You I went into Confessions of a Shopaholic expecting it to be the best of the bunch, although I didn’t think it would blow the doors off.

Sure, it is still pushing female stereotypes with an emphasis on shopping, but the always enjoyable Isla Fisher is not only pleasing to the eye, but fun to watch at the same time so how bad could it really be.Unfortunately the answer to that question is bad, and I mean really bad. Bride Wars began with a premise that was doomed from the outset and He’s Just Not That Into You unabashedly hates women and did nothing to hide it. But Confessions of a Shopaholic has such a softball storyline it is astonishing how the film actively tries to get worse and worse as it plays on.

The film centers on Rebecca Bloomwood (Isla Fisher), a journalist for a home gardening magazine who gets laid off and finds herself confronted with an overwhelming $16 thousand credit card debt and no job. This would pose a problem for most people, but not Rebecca, she simply spends some more money, lands a job at a financial magazine of all places, writes one column, gains worldwide celebrity based on that one column, is featured on a famous morning TV show based on that one column and falls in love with her sexy Brit boss. Man, it’s awesome being in debt, everyone should do it!
This film spits in the face of the audience and takes you all for blundering fools. Within ten minutes of the film you already dislike Rebecca as an annoying obsessed shopper that just won’t quit. She whines and cries to her dimwitted friend who is only in the film to be a sounding board and add additional plot devices once it comes time to wrap this freak show up. The timeline is awful as we honestly see Rebecca gain international celebrity status off only one article and carry out multiple tasks in a matter of hours as if she was Jack Bauer on ecstasy.
Director P.J. Hogan (My Best Friend’s Wedding) cares so little for his actors he hired Jo Willems as his cinematographer who lights the stage as if we were meant to be watching Death itself on screen. John Goodman, Joan Cusack and Kristen Scott Thomas all look as if they just walked out of the morgue as a result of Willems’s lighting. It’s as if no one cared about the movie and I am rather certain no one did. Producer Jerry Bruckheimer even leaked early word that hidden inside the film was the poster debut for the upcoming Jake Gyllenhaal sword-and-sandal epic Prince of Persia. Talk about desperation as he tries to salvage a sinking ship.
Isla Fisher is her bubbly self and I can hardly complain as she earns her paycheck walking into glass walls and brazenly sharpening her pencil with an electric sharpener in the middle of her first staff meeting. But it is impossible for me to believe she read the first draft of this script and thought this film was a winner. Most insulting is the way it tries to weave in the country’s current economic downturn in a scene where Goodman, who plays Fisher’s father, says something to the effect of, “If the economy is billions of dollars in debt and can survive I’m sure you can too.” Has he turned on CNN lately?
There are so many ways this film could have been good, had they turned it into something of an old school screwball comedy or even tried to build on the angle that Rebecca had no idea what she was doing and some day became a qualified finance journalist — you know, cliché. But instead they play to the bubble gum crowd as they spent more money on the Rihanna music for the trailer as opposed to the obnoxious abundance of anonymous pop tunes sung by no names throughout this film including a god-awful slow-turn remake of Cyndi Lauper’s “Girls Just Wanna Have Fun” as the capper.
Confessions of a Shopaholic is the perfect storm of awful and while many will say its failure is partially due to the subject matter tied into the country’s current economic situation, the fact of the matter is a movie this bad shouldn’t (and hopefully won’t) be watched even during the best of times. The film gets a “D-” because I had maybe one or two chuckles and I felt like being kind, but don’t take that slight bump to mean anything more.

Synopsis:
Based on a pair of effervescent novels by Sophie Kinsella, CONFESSIONS OF A SHOPAHOLIC is a light and bubbly confection that should appeal to those who can identify with its heroine's passion.... Based on a pair of effervescent novels by Sophie Kinsella, CONFESSIONS OF A SHOPAHOLIC is a light and bubbly confection that should appeal to those who can identify with its heroine's passion. Rebecca Bloomwood (Isla Fisher, WEDDING CRASHERS) has a label-filled wardrobe that any fashionista would covet, but she also has credit card debt to match. She craves a job at the Vogue-like Alette, but a position at a financial magazine at the same publishing company may be her ticket in. Despite her painfully low credit rating, Becky starts dishing out advice on saving, while debt collector Derek Smeath (character actor Robert Stanton) is hot on her Louboutin heels. Meanwhile, she is competing for the affections of her charming boss, Luke Brandon (Hugh Dancy, THE JANE AUSTEN BOOK CLUB), with icy Alette employee Alicia Billington (Leslie Bibb, IRON MAN). A well-heeled hybrid of SEX AND THE CITY and THE DEVIL WEARS PRADA, SHOPAHOLIC features the talents of Patricia Field, costume designer for those two films. The clothes are almost on an equal footing with the actors here, and each well-chosen piece in Manhattan shop windows or worn by Bloomwood helps contribute to the film's bright mood. A lesser actress might have been lost in all the colors, but Fisher is a formidable comic presence who pulls off Becky's ditzy lines and goofy falls with equal aplomb. Those hoping for a smart discourse on the perils of credit cards and excess spending are certainly watching the wrong film, but SHOPAHOLIC may just be the fashion equivalent of food porn for dieters.

Starring: Isla Fisher, Hugh Dancy, Joan Cusack, John Goodman, John Lithgow, Kristin Scott Thomas, Fred Armisen, Leslie Bibb, Julie Hagerty, Krysten Ritter, Robert Stanton, Christine Ebersole, Clea Lewis, Wendie Malick, Stephanie March
Director: P.J. Hogan
Screenwriter: Tim Firth, Tracey Jackson
Producer: Jerry Bruckheimer
Composer: James Newton Howard
Studio: Buena Vista Internationa

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The Hangover (2009)

Rated: R for pervasive language, sexual content including nudity, and some drug material
Genre: Comedies
Theatrical Release:Jun 5, 2009 Wide
Review :
Based apparently on the reception of one brilliant teaser trailer and a recent full-length trailer, Warner Brothers has decided not to wait around and see how The Hangover performs at the box office this June, deciding to go ahead and greenlight a multimillion script for a sequel

,which will be penned by Todd Phillips and Scot Armstrong (neither of whom have writing credits for the original, though Phillips directed it and is signed on to direct the second entry).This is the second time in a week that a studio has greenlit a sequel before the first installment had even debuted widely — last week, Paramount gave the go-ahead for a Star Trek sequel.

This one, however, is a bit more unusual, in that it’s not based on a franchise with an existing fanbase. Warner is making the decision based on strong test screenings and a positive reaction to footage from that film at ShoWest. You know what else had strong test screenings? Adventureland. It opened with $6 million, and it had Kristen Stewart, who at least has had some box-office success. The Hangover stars Bradley Cooper, Ed Helms, and Zack Galifianakis, none of whom have achieved box-office success on their own (and only Cooper has done so as part of an ensemble).
Of course, the flick does look brilliant, though Todd Phillips hasn’t exactly given us a lot of consistency: He directed Road Trip and Old School, but he also directed the awful School for Scoundrels and the not-much-better Starsky and Hutch. And, we’re talking about a bachelor party comedy here — is the idea for the sequel that another member of the trio get hitched, thus creating another opportunity for a bachelor party? Or will they get hungover in a different fashion?
I don’t get the rush. There have been enough movies with considerable online buzz surrounding them that have not performed up to expectations (Snakes on a Plane, Zack and Miri Make a Porno) to make studios skittish, so I’m not sure why they don’t at least wait until the Monday after the film opens before greenlighting a sequel. But, then again, they’ve never been known for their business savvy.

Synopsis:
From the director of Old School comes a new comedy about a bachelor party gone horribly wrong. Two days before his wedding, Doug and his three buddies drive to Vegas for a blow-out night they’ll... From the director of Old School comes a new comedy about a bachelor party gone horribly wrong. Two days before his wedding, Doug and his three buddies drive to Vegas for a blow-out night they’ll never forget. But when the three groomsmen wake up the next morning with pounding headaches, they can’t remember a thing. Their posh hotel suite is beyond trashed and the groom is nowhere to be found. With no clue of what happened and little time to spare, the trio must attempt to retrace their bad decisions from the night before in order to figure out where things went wrong and hopefully get Doug back to L.A. in time for his wedding. However, the more they begin to uncover, the more they realize just how much trouble they’re really in. --© Warner Bros

Starring: Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Jeffrey Tambor, Rachel Harris, Heather Graham, Rob Riggle
Director: Todd Phillips
Screenwriter: Jon Lucas, Scott Moore, Todd Phillips, Jeremy Garelick
Story: Jon Lucas, Scott Moore
Producer: Todd Phillips, Daniel Goldberg
Studio: Warner Bros.

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Land of the Lost (2009)

Rated: Not Rated
Genre: Comedies
Theatrical Release:Jun 5, 2009 Wide
Reviews :
The teaser trailer for Land of the Lost debuted during last week’s Super Bowl, and now the first full length trailer has arrived. I don’t have a lot of memory of the original television show, but it’s fairly evident that the updated movie doesn’t hew particularly close to the original’s premise.

The original was about a park ranger and his two kids who slipped into a time warp during a rafting trip and wound up in a world of dinosaurs. Here, Will Ferrell still plays a park ranger, but he also appears to be a scientist of some sort, and he apparently swapped his two kids for some colleagues (the luminous Anna Friel and the not-so-luminous Danny McBride).
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Basically, it looks like Ferrell has swapped out afros, basketballs, race cars, ice skates, and soccer balls for dinosaurs, which is to say: It looks like every other Will Ferrell movie, which is also to say: It’ll make eleventy cajillion dollars and probably spawn a sequel. Fortunately, few — if any folks — have a particular attachment to the television show, which means we have no real memories available for roofies. It’s just a creepy, inappropriate touching of our childhoods.

Synopsis:
Space-time vortexes suck. Will Ferrell stars as has-been scientist Dr. Rick Marshall, sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and... Space-time vortexes suck.
Will Ferrell stars as has-been scientist Dr. Rick Marshall, sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and questionable smarts to survive in an alternate universe full of marauding dinosaurs and fantastic creatures from beyond our world--a place of spectacular sights and super-scaled comedy known as the Land of the Lost.
Sucked alongside him for the adventure are crack-smart research assistant Holly (Anna Friel) and a redneck survivalist (Danny McBride) named Will. Chased by T. rex and stalked by painfully slow reptiles known as Sleestaks, Marshall, Will and Holly must rely on their only ally--a primate called Chaka (Jorma Taccone)--to navigate out of the hybrid dimension. Escape from this routine expedition gone awry and they're heroes. Get stuck, and they'll be permanent refugees in the Land of the Lost.
Based on the classic television series created by Sid & Marty Krofft, Land of the Lost is directed by Brad Silberling and produced by Jimmy Miller and Sid & Marty Krofft. --© Universal Studios

Starring: Will Ferrell, Danny McBride, Anna Friel, Jorma Taccone
Director: Brad Silberling
Screenwriter: Chris Henchy, Dennis McNicholas
Producer: Jimmy Miller, Sid Krofft, Marty Krofft
Studio: Universal Pictures

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Year One (2009)

Rated: PG-13 for crude and sexual content throughout, brief strong language and comic violence
Genre: Comedies
Theatrical Release:Jun 19, 2009 Wide
Synopsis:
When a couple of lazy hunter-gatherers (Jack Black and Michael Cera) are banished from their primitive village, they set off on an epic journey through the ancient world in Columbia Pictures'...

When a couple of lazy hunter-gatherers (Jack Black and Michael Cera) are banished from their primitive village, they set off on an epic journey through the ancient world in Columbia Pictures' comedy Year One.Harold Ramis directs. The screenplay is by Harold Ramis & Gene Stupnitsky & Lee Eisenberg (The Office) from a story by Harold Ramis. The film is produced by Harold Ramis, Judd Apatow, and Clayton Townsend. --© Sony Pictures


Starring: Jack Black, Michael Cera, Oliver Platt, David Cross, Hank Azaria, Paul Rudd
Director: Harold Ramis
Screenwriter: Harold Ramis, Gene Stupnitsky, Lee Eisenberg
Story: Harold Ramis
Producer: Judd Apatow, Harold Ramis, Clayton Townshend
Studio: Soda Pictures

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